“Really? Can’t be. Say it ain’t so, Steven.” That was what many of us said when Mr. Soderbergh declared that he was retiring from directing movies. And for those who had followed, studied, or were inspired by his unique career and creative output, it seemed that this might certainly turn out to be a bit of a joke from a world-class jokester. Well, that indeed appears to be the case, and of course, he never really retired by any stretch of the term (such as with Behind the Candelabra, The Knick, and more). Here is an excellent article on Soderbergh right now one week before the release of his promising new movie, Logan Lucky (written by the decidedly mysterious Rebecca Blunt — is this another Soderbergh joke?).
Archive for the ‘Chapter 5’ Category
The Michael Jordan of American Filmmaking is Back
Posted in Chapter 5, Directors, tagged Behind the Candelabra, Logan Lucky, Michael Jordan, Rebecca Blunt, Steven Soderbergh, The Knick on August 11, 2017| Leave a Comment »
The Tilda
Posted in Chapter 5, Directors, tagged Bong Joon-Ho, Broken Flowers, Derek Jarman, Doctor Strange, Michael Clayton, Okja, Snowpiercer, The Host, Tilda Swinton on June 30, 2017| Leave a Comment »
By grace of the particular brand of her presence in Bong Joon-ho‘s Okja, it is clear that “The Tilda” is a distinct genre unto itself, from Doctor Strange to the films of Derek Jarman to Michael Clayton, Broken Flowers, and more.
And beyond the power of Tilda Swinton, there is much more to explore, clearly, in the newest work by one of the most dynamic of 21st century directors, Bong Joon-ho (Snowpiercer, Mother, and The Host).
Some more notes with Patty Jenkins
Posted in Chapter 5, Directors, Women Mediamakers, tagged Cara Buckley, Gal Gadot, Mekado Murphy, New York Times, Patty Jenkins, Richard Donner, Superman, Wonder Woman on May 31, 2017| Leave a Comment »
Here is a follow-up to the Women Pioneers of the Cinema: Patty Jenkins and the Wonder Women post from a few days ago (see below). For Mekado Murphy’s New York Times “Anatomy of a Scene” series, Patty Jenkins narrates a key scene from Wonder Woman, along with a nice tip of the hat to a strong inspiration for her — Richard Donner’s Superman from 1978.
P.S.: Right after I posted this piece, the NYTimes published this highly interesting and enlightening interview with Patty Jenkins. Read it to the end. The exchange at the tail of this conversation with journalist Cara Buckley was one of the most take-your-breath-away moments I have read in an interview with a filmmaker in quite some time. It features a very inspiring and strikingly original statement from Ms. Jenkins.
Women Pioneers of the Cinema: Patty Jenkins and the Wonder Women
Posted in Chapter 5, Women Mediamakers, tagged Charlize Theron, Gal Gadot, Jill Lepore, Monster, Patty Jenkins, William Moulton Marston, Wonder Woman on May 27, 2017| Leave a Comment »
As earlier periods of motion picture history could be described as the heyday of the Western or the Musical, we are clearly living in the age of the Superhero. It seems like each summer brings the need for new articles on the evolution of the form — from Heroes for America! (And now the world.) or “A Stink Bucket of Disappointment” or just some criminally wacky fun? (which was certainly far more the former than the latter) — and the current moment certainly calls for a nod in the direction of the upcoming release of the feature length film Wonder Woman.
Now, finally, a contemporary major studio release that features a female superhero — and not only that, but the most popular super-heroine in comic book history, a character created by William Moulton Marston as a testament to the power, independence, and strength of character of the women in its creator’s life. For a story at least as interesting and jaw-dropping as anything that screenwriters can whip up, Jill Lepore’s The Secret History of Wonder Woman delves into the incredible stories of Olive Byrne and her mother Ethel Byrne (and aunt Margaret Sanger), of Marston and his wife Elizabeth Holloway and their unconventional family, and of the genesis and early years of Wonder Woman.
For this movie, another milestone is being reached: it is directed by a woman, Patty Jenkins. The only previous feature film directed by Jenkins is the feature Monster, (which she also wrote), starring Charlize Theron in an Academy Award-winning performance as Aileen Wuornos, the infamous serial killer who died by lethal injection in 2002. Since then, Jenkins has been directing television shows, particular for the pilot of The Killing (another production featuring a strong female protagonist), Entourage, and Betrayal. Now, Jenkins has directed the highly anticipated feature Wonder Woman, starring Gal Gadot and Chris Pine, written by Allan Heinberg. Here is a video interview with Jenkins about the movie, and here is an interview from FilmInk.
Jonathan Demme, American Maverick
Posted in Chapter 5, tagged Jodie Foster, Jonathan Demme, Melvin and Howard, New Order, Skip Lievsay, Something Wild, Stop Making Sense, The Perfect Kiss on April 26, 2017| Leave a Comment »
Today marked the passing of a director whose career was undoubtedly one of the most interesting and unique of the past several decades: Jonathan Demme. This fine obituary by Bruce Weber for the New York Times provides a strong overview of Demme’s career; for Demme’s impact on collaborators and friends, this article from Variety provides many moving testimonials, in addition to these words from director and actress Jodie Foster. From among his works, my favorite will remain Something Wild, undoubtedly one of the most original works of its decade (with a killer soundtrack and as-always-stellar work from sound designer Skip Lievsay) and a movie that would certainly stand alongside Melvin and Howard in demonstrating Demme’s strengths as a chronicler of American society, a great director of actors, and a man with a musical soul. It should also be noted that while he is justifiably celebrated for directing the Talking Heads concert movie Stop Making Sense, his beautiful video for New Order’s The Perfect Kiss is also an absolute treasure.


