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Archive for the ‘Women Mediamakers’ Category

The steady, very significant rise of horror films in popularity over the past several years has been striking to observe in the media literacy classroom. The increasingly significant number of students who select horror filmmakers and movies as topics of investigation for reports, analyses, and sources of inspiration — and most notably female students — is reflected in the stunning range of horror creations across motion picture media types today, from feature films to streaming series to interactive games and points in between and beyond.  In fact, currently, for her final project in Advanced Video Production one of my students is working on a documentary called The Evolution of Horror in which she traces the history of horror filmmaking from the first years of cinema to now.   

That said, horror is certainly a genre that can present a variety of issues when addressed in a classroom setting.  One series that can give educators some ideas of current and recent horror media from across the globe (and often off the beaten path) is the series Five Horror Movies to Stream Now from The New York Times.  Here is a recent edition from this series.  It’s your decision whether the pieces are tricks or treats.  Happy Halloween!

P.S.: Check out this informative piece — ‘Being a Woman is Full of Horror’ : Female Directors Discuss Their Craftpublished in February of 2022, again from the New York Times, for interviews with current women mediamakers (including Prano Bailey-Bond, Kate Dolan, Charlotte Colbert, and others)  exploring the diverse worlds of horror and suspense motion picture storytelling.

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Agnes Varda making first feature “La Pointe Courte”

Couldn’t resist that title.  In Chapter 8 of Moving Images, students explore the positions that correspond to the filmmaking tasks for which they have been developing skills throughout their work with the textbook.  These jobs have been in a pretty constant state of flux for a number of years as the processes of the digital media pipeline and business of media production continue to evolve and transform.

Recently a very interesting piece by Cara Buckley on gripping appeared in the New York Times: What is a Grip?  The Few Women Doing the Job in Hollywood Explain.”  Check out this article to find some answers along with insights and inspiration.

On a topic related to a core theme of this article, mediateacher.net notes the deeply sad news of the passing of Agnès Varda, one of the most important filmmakers of this era and a truly inspiring creator and visionary.

And to continue with another follow-up (related to the earlier references in multiple ways!) to working in the movie industry, here is an interview with Jessica Lee Gagné, the cinematographer of the stunningly shot Escape at Dannemora, a Showtime 7-part miniseries directed by Ben Stiller, released a few months ago to widespread acclaim.  Amazing work both behind and in front of the camera.

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Among the very necessary debates and amidst the range of fallout that mediamakers have seen and are still to see from the New York Times investigative report on Harvey Weinstein and his subsequent fall from power as a movie studio executive, media students, educators, and professionals must sift through many perspectives and viewpoints.  I would like to highlight this op-ed by Sarah Polley that appeared today, The Men You Meet Making MoviesMs. Polley was the subject of an earlier post in mediateacher.net’s series on Women Mediamakers, Talking Stories: Portraits with Sarah Polley, which readers may wish to check out for further information on this important multi-talented creator.

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Here is a follow-up to the Women Pioneers of the Cinema: Patty Jenkins and the Wonder Women post from a few days ago (see below).  For Mekado Murphy’s New York Times “Anatomy of a Scene” series, Patty Jenkins narrates a key scene from Wonder Woman, along with a nice tip of the hat to a strong inspiration for her — Richard Donner’s Superman from 1978.

P.S.: Right after I posted this piece, the NYTimes published this highly interesting and enlightening interview with Patty Jenkins.  Read it to the end.  The exchange at the tail of this conversation with journalist Cara Buckley was one of the most take-your-breath-away moments I have read in an interview with a filmmaker in quite some time.  It features a very inspiring and strikingly original statement from Ms. Jenkins.

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In Chapter 3 of Moving Images and a number of mediateacher.net posts (for example, check out Part 2 from this series or the Kevin Goff interview), we have discussed cutting edge moving image creation designed to produce advertising, public service messages, issue-driven content, and a wide array of visual storytelling.  Here is a very interesting current resource: the TBrandStudio Selects for 2017 from the world of animation.  The chosen mediamakers are: Nice and Serious, Block & Tackle, Bhakti Patel, Mighty Oak, and Pete Levin.

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