By grace of the particular brand of her presence in Bong Joon-ho‘s Okja, it is clear that “The Tilda” is a distinct genre unto itself, from Doctor Strange to the films of Derek Jarman to Michael Clayton, Broken Flowers, and more.
And beyond the power of Tilda Swinton, there is much more to explore, clearly, in the newest work by one of the most dynamic of 21st century directors, Bong Joon-ho (Snowpiercer, Mother, and The Host).
Posts Tagged ‘Derek Jarman’
The Tilda
Posted in Chapter 5, Directors, tagged Bong Joon-Ho, Broken Flowers, Derek Jarman, Doctor Strange, Michael Clayton, Okja, Snowpiercer, The Host, Tilda Swinton on June 30, 2017| Leave a Comment »
Of Cinesongs and Maverick Moviemakers
Posted in Chapter 5, tagged Derek Jarman, Jerome Hiler, Michel Gondry, Microbe and Gasoline, Nathaniel Dorsky, New Order, NYFF53, NYSU, Restless on September 28, 2015| Leave a Comment »
In an earlier post, I asked the question “What exactly is that movie?” in order to address forms of visual communication through a series of commercials. For those who may wish to explore the wilds of avant garde filmmaking, right now at the New York Film Festival, there is a retrospective titled Luminous Intimacy: The Cinema of Nathaniel Dorsky and Jerome Hiler. From the NYFF53 site, “For the last six decades, Nathaniel Dorsky and Jerome Hiler, partners in life and in cinema, have taken their cameras out into the world and filmed gestures, moods, atmospheres, states of being, light and darkness, movement and stillness. Hiler’s register is ecstatic and polyphonic, Dorsky’s devotional and poetic. And, simply put, they are two of the greatest filmmakers alive.” You can also check out a recent article by film critic Manohla Dargis about their work in The New York Times. Despite the access today’s students — and, in fact, all of us with Internet — have to the swirling miasma of videos streaming about the netverse (YouTube or otherwise), the mediascapes of avant grade or poetic or experimental cinema seem as distant as ever to the average media viewer, it would appear to me.*
Talking about maverick moviemakers, director Michel Gondry will be appearing at the festival next week for a free talk concerning his new film Microbe and Gasoline, a coming-of-age movie about two French teenage boys.
*That said, I did have to chuckle a bit at what seemed to me to be a very inventive homage to the avant-garde work of Derek Jarman in the recently released video of New Order’s song Restless, directed by the filmmaking collective NYSU.