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Archive for the ‘Chapter 3’ Category

I am presenting Media Creation in Action: MLE Collaborative Principles in the Classroom at the Northeast Media Literacy Conference in Providence, Rhode Island, on November 8, 2019.  Welcome to my presentation!

Here is a pdf of the slideshow. Here is one of the exercises described through the case study.

Don’t forget this post with screenwriting resources!  Here is the interview referenced in the case study.

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As a new school year begins, here is a quick update on one of the most comprehensive and dynamic resource hubs for media literacy lessons and videos designed for elementary, middle, and high school learners: KQED Education.  In their “For Classrooms” section, teachers can find lesson plans for Humanities or STEM units, or Elementary media literacy education.  For professional development, educators are also encouraged to check out their coursework in KQED Teach and PBS Media Literacy Educators Certification. Some might want to go straight to the topical videos produced by PBS Digital Studios, check out the Above the Noise channel (or its previous incarnation, The Lowdown, with stories from 2018 and before, organized by theme).  And for those looking for an overall national resource from public media, here is the PBS Learning Media page, from which one can also search for links to local stations and related resources.

Update 2020: An election year is here, and a special Youth Media Challenge has been set up for educators and students.  Check it out!

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In earlier posts, we have discussed documentaries about film and TV scoring; contemporary composers such as Jeff Beal, Cliff Martinez, and Bear McCreary; current uses of popular music with moving images such as in the work of the performer Stromae; and a wide variety of topics related to sound design.

Composer Ramin Djawadi conducting

Along with editing exercises that one can complete to develop an idea of the impact of music with scenes, here is an related video (by the YouTube channel Every Frame a Painting) that explores the use of music in a variety of Marvel superhero movies.  Many of the observations and questions raised here can be applied to a wide range of recent action movies, and the lessons about contemporary media creation have wide-ranging impacts on viewers and the messages being produced for viewers. And for students, they might want to explore the views of the actual composers of some of the movies referenced here, such as Ramin Djawadi (Iron Man, Westworld, Game of Thrones) or Alan Silvestri (Avengers, Captain America).  

 

And if you find this interesting, check out this response to the Marvel Symphonic Universe video essay by Dan Golding: A Theory of Film Music(And it is critical to add that this essay is ripe for a rebuttal by anyone interested in exploring the long history of originality in film scoring — Golding’s approach is undoubtedly to use only lowest common denominator examples from throughout film history.) 

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The vital roles of music and sound design in moviemaking are key components of Moving Images and have been featured in numerous posts on mediateacher.net, including pieces about composers Jeff Beal, Cliff Martinez, and Henry Mancini, among others.  Score, a documentary about composing for film by director Matt Schrader, opened this month and should serve as a solid resource to media literacy educators.  Score provides film history, profiles of and interviews with film composers (from Quincy Jones to Rachel Portman to Trent Reznor and many more), and exploration of the process of composing for motion pictures.

Composer Bear McCreary with his Hurdy-Gurdy

Here is an interview with composer Bear McCreary (Outlander, Battlestar Galactica, The Walking Dead, 10 Cloverfield Lane) and Matt Schrader in which they note film scores that they believe to have “changed the way we hear movies.”  What would be your picks?  Check out the article and you will see theirs!

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In Chapter 3 of Moving Images and a number of mediateacher.net posts (for example, check out Part 2 from this series or the Kevin Goff interview), we have discussed cutting edge moving image creation designed to produce advertising, public service messages, issue-driven content, and a wide array of visual storytelling.  Here is a very interesting current resource: the TBrandStudio Selects for 2017 from the world of animation.  The chosen mediamakers are: Nice and Serious, Block & Tackle, Bhakti Patel, Mighty Oak, and Pete Levin.

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