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Posts Tagged ‘Cara Buckley’

Agnes Varda making first feature “La Pointe Courte”

Couldn’t resist that title.  In Chapter 8 of Moving Images, students explore the positions that correspond to the filmmaking tasks for which they have been developing skills throughout their work with the textbook.  These jobs have been in a pretty constant state of flux for a number of years as the processes of the digital media pipeline and business of media production continue to evolve and transform.

Recently a very interesting piece by Cara Buckley on gripping appeared in the New York Times: What is a Grip?  The Few Women Doing the Job in Hollywood Explain.”  Check out this article to find some answers along with insights and inspiration.

On a topic related to a core theme of this article, mediateacher.net notes the deeply sad news of the passing of Agnès Varda, one of the most important filmmakers of this era and a truly inspiring creator and visionary.

And to continue with another follow-up (related to the earlier references in multiple ways!) to working in the movie industry, here is an interview with Jessica Lee Gagné, the cinematographer of the stunningly shot Escape at Dannemora, a Showtime 7-part miniseries directed by Ben Stiller, released a few months ago to widespread acclaim.  Amazing work both behind and in front of the camera.

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Brie Larson stepping into the fray in Captain Marvel

Popular Culture revolves around so many factors, and simply being popular is certainly high among them. This generally requires appealing to a wide audience, and how a media creation can do so seems to balance on some pretty thin tightropes these days.  This article by Cara Buckley about how the release of the movie Captain Marvel has played out through digital media discusses the impact of critical platforms, trends in social norms, and trolling on the reception of movies and their place in our culture. Indeed, even their right to develop a healthy existence, or at least as much as the metrics and contributors to Rotten Tomatoes allow them to.

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Here is a follow-up to the Women Pioneers of the Cinema: Patty Jenkins and the Wonder Women post from a few days ago (see below).  For Mekado Murphy’s New York Times “Anatomy of a Scene” series, Patty Jenkins narrates a key scene from Wonder Woman, along with a nice tip of the hat to a strong inspiration for her — Richard Donner’s Superman from 1978.

P.S.: Right after I posted this piece, the NYTimes published this highly interesting and enlightening interview with Patty Jenkins.  Read it to the end.  The exchange at the tail of this conversation with journalist Cara Buckley was one of the most take-your-breath-away moments I have read in an interview with a filmmaker in quite some time.  It features a very inspiring and strikingly original statement from Ms. Jenkins.

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The Revenant

DiCaprio and Iñárritu discussing a parenthetical.

Hollywood Studios and television networks are notorious for their thorny relationships with screenwriters throughout movie history.  Things change.  And some things don’t.

Here are some recent end-of-the-year pieces of interest for screenwriting-related issues.  The New York Times recently visited with a number of the top writers from feature films this year in this piece on Alejandro González Iñárritu, Amy Schumer, Aaron Sorkin, Paolo Sorrentino (Youth), Cary Fukunaga (Beasts of No Nation), and Phyllis Nagy (Carol).   

For fans of media literacy inquiry, here’s a question for your students: “What’s fishy about this article related to the movie Trumbo (about legendary screenwriter Dalton Trumbo, as played by actor Bryan Cranston) in the Times?”   (See answer 1 below.)

And here’s another: “What’s odd about the journalism — and lack of media literacy expertise — in this article by Cara Buckley about the new movie Joy, directed and written by David O. Russell and starring Jennifer Lawrence.”  (See answer 2 below.)

Happy New Year and be back soon!

1:  It’s not journalism.  It’s a paid piece posted amidst the online articles of the Times.  See also: irony.  [RE: Dalton Trumbo]

2: When the director and actors of a movie compare themselves to Cassavetes‘s or Bergman‘s collaborative “troupes” and it’s only their second movie together, please call them on it.  See also: puff piece.  

 

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Soderbergh shooting handheld from a dolly

Soderbergh shooting handheld from a dolly

In an earlier post — Soderbergh Raids the Ark — I shared Steven Soderbergh’s very revealing experiment in which he turned Steven Spielberg’s Raiders of the Lost Ark into a black & white silent movie.  Right now I would like to highlight two recently published articles about these two very different and undoubtedly masterful directors.  In Steven Spielberg on the Cold War and Other Hollywood Front Lines, Spielberg discusses his new historically based movie, Bridge of Spies, and many other topics with Cara Buckley of the New York Times.  In The Binge Director (in New York magazine), Matt Zoller Seitz visits with Soderbergh on the set of his show The Knick.  There are many interesting points for young filmmakers and media literacy educators in both of these superb articles.

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