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Anything being sold here on Family Reunion?

In the ongoing series sharing references and resources to the economically-oriented aspects of media literacy education, here are some recent pieces of interest to share related to advertising and media.  Product placement is a core element of investigation for media literacy coursework, and here is a recent highly interactive article by Sophie Haigney titled How Products Became the New TV Stars.  And for those interested in knowing who is vying to be the current “King of Product Placement” in Hollywood, here is an article by Brian Steinberg for Variety.

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Just a quick note about a part of the media creation process that has the potential to provide fertile ground for classroom discussion and skill development: The Pitch.*  (See also: Pitch Notes 101.) 

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I am commenting here because this spring, my Advanced Video Production class has engaged in what have been the most fruitful, productive, constructive pitch sessions I have seen.  In this case, for the final project of the course, based on Chapter 7 writing and Chapter 8 project in Moving Images, the students came to class with outlines and project development materials (story breakdown, log line, other possible elements) and needed to pitch their concept and gameplan to a collaborative team.  Very positive attitudes, creative and respectful reactions and conversations, and concrete story development (along with discussions of sound, visuals, and more) was achieved by all group members.  

One resource available related to the development of skills in pitching and workshopping is a unit on media storytelling from members of Pixar studios (by Khan Academy) and which features a section on Pitching and Feedback.

* Please note: This process also has the potential to provide some of the most thorny challenges to any learning environment: through pitches, students open up themselves to group feedback in ways that can make them vulnerable and defensive.  It is critical to put into place effective, healthy approaches to workshop-type classroom situations and feedback-based interactions.  Make sure to examine a variety of project-based learning strategies outlined in texts like Moving Images and in resources available such as through mediateacher.net or the Journal of Media Literacy Education.

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Screen Shot 2022-07-26 at 1.51.15 PMIn the Journal for Media Literacy Education, I published a piece titled The Role of Collaboration and Feedback in Advancing Student Learning in Media Literacy and Video Production, in which I discuss the importance of implementing effective  collaborative project strategies and managing appropriate feedback at all stages of production work.  In the article, I examine case studies and learning outcomes from courses I have taught, and I have followed up this work in presentations at Media Literacy conferences and professional development sessions by adding more examples of this work in action.   

IMG_0369A regular component of the work in video production courses that I teach has been the completion of projects that respond to actual needs of our school community.  An obvious recent example was the need for public service announcements related to protocols and phases of the management of the Covid pandemic.  Another example is through Student News pieces that have depicted community events or initiatives, such as with our agriscience program or town Land Conservancy.

IMG_0374At the end of this past semester, my Advanced Video Production class engaged in a complex production that involved the entire class in an extensive collaborative task.  This project required intricate planning and organization through all phases from development through post-production.  The genesis of the project came about as a result of a request by our school system central administration for pictures or videos of various school activities in order to share with the school board and community during the budget adoption process.

Screen Shot 2022-07-26 at 2.05.39 PMFollowing that request, I proposed that our media production students work to create a cohesive statement about some of the exceptional learning taking place throughout our schools.  The pitch was greenlit, and work was immediately underway.  (We had to move fast to make the deadline.)

Screen Shot 2022-07-26 at 2.04.13 PMThis project was the last in-class exercise (before the final course project, which are shorts made independently by each student and turned in as part of the final exam), so students had already completed several motion pictures in which they employ collaborative techniques to set objectives, evaluate effective approaches related to the contexts or demands of the project, and implement a team-based structure to complete the work through production and post-production.  Here is the assignment that they received.  (Please note: in terms of brainstorming and other aspects of pre-production in which the team members determine their approach and goals for the project, an important phase is when the class examines and assesses a number of examples from in-house work, as well as a variety of student and professional references.)

Screen Shot 2022-07-26 at 1.57.40 PMAnd here is the video that they produced Keep in mind that, yes, it was entirely planned, written, directed, produced, and edited by the students.  As a final note about this project, it must be pointed out that one of the most distinctive challenges that students can face in terms of topics for the creation of media messages is when the subject is abstract in nature (as opposed to the type of challenge when depicting an actual event or initiative, or a person or group or place), such as when facing a concept such as “education” or “the leaning process.”  Here, the students had to face questions such as “what exactly do our schools do?” and “what is learning all about?”  These types of inquiries can provide strong challenges for any media creators.

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In earlier posts, mediateacher.net has featured posts that highlight lessons that can be learned from study of movies from the Star Wars franchise, particularly with Rogue One and innovative work in sound design.  Along with the superbly detailed book The Making of Star Wars: The Definitive Story Behind the Original Film by J.W. Rinzler, there is this YouTube video that explores how George Lucas arrived at his final cut of Star Wars through the work of his editors Paul Hirsch, Richard Chew, and Marcia Lucas) and which can be very eye-opening to students about the development of story and the power of the editing process (and all of the stages of movie production) in arriving at the definitive version of a film.

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As a new school year begins, here is a quick update on one of the most comprehensive and dynamic resource hubs for media literacy lessons and videos designed for elementary, middle, and high school learners: KQED Education.  In their “For Classrooms” section, teachers can find lesson plans for Humanities or STEM units, or Elementary media literacy education.  For professional development, educators are also encouraged to check out their coursework in KQED Teach and PBS Media Literacy Educators Certification. Some might want to go straight to the topical videos produced by PBS Digital Studios, check out the Above the Noise channel (or its previous incarnation, The Lowdown, with stories from 2018 and before, organized by theme).  And for those looking for an overall national resource from public media, here is the PBS Learning Media page, from which one can also search for links to local stations and related resources.

Update 2020: An election year is here, and a special Youth Media Challenge has been set up for educators and students.  Check it out!

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