By grace of the particular brand of her presence in Bong Joon-ho‘s Okja, it is clear that “The Tilda” is a distinct genre unto itself, from Doctor Strange to the films of Derek Jarman to Michael Clayton, Broken Flowers, and more. 
And beyond the power of Tilda Swinton, there is much more to explore, clearly, in the newest work by one of the most dynamic of 21st century directors, Bong Joon-ho (Snowpiercer, Mother, and The Host).
The Tilda
June 30, 2017 by carlcasinghino
mediateacherdotnet 
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