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Posts Tagged ‘Microbe and Gasoline’

the-white-stripes-city-lights-video-640x470Michel Gondry, one of the most inventive and utterly unique motion picture wizards of our time, has delivered again.  In an original gesture, he went and made a video on his own for the White Stripes song “City Lights” as a gift to Third Man Records (having made a number of legendary music videos together, including the Lego classic “Fell in Love with a Girl” and the Meg White-inspired masterstroke “The Hardest Button to Button“).  Lessons to learn from his music videos in general: a hefty dose of vision; planning, then planning and practice and planning; and execution.  And throw in a few dashes of visual and sonic magic.

mondo_microbe_and_gasoline_1600x1200_86d7a1ee-2ea0-4e41-a3b3-8990a90e4185_1024x1024Gondry’s book The Be Kind Rewind Protocol is great food for thought for filmmakers and educators alike, and of course there are his movies, notably that one featuring Mos Def, Jack Black, and Danny Glover; Eternal Sunshine of the Spotless Mind, his exceptional collaboration with screenwriter Charlie Kaufman (and which I feel gets even better with age); The Thorn in the Heart, a documentary that grew out of a family story; an episode of Flight of the Conchords; and the mix of music videos, shorts, commercials, and odds and ends that have made up his twisting and turning career.

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songandsolitude3-1600x900-c-defaultIn an earlier post, I asked the question “What exactly is that movie?” in order to address forms of visual communication through a series of commercials.  For those who may wish to explore the wilds of avant garde filmmaking, right now at the New York Film Festival, there is a retrospective titled Luminous Intimacy: The Cinema of Nathaniel Dorsky and Jerome Hiler.  From the NYFF53 site, “For the last six decades, Nathaniel Dorsky and Jerome Hiler, partners in life and in cinema, have taken their cameras out into the world and filmed gestures, moods, atmospheres, states of being, light and darkness, movement and stillness. Hiler’s register is ecstatic and polyphonic, Dorsky’s devotional and poetic. And, simply put, they are two of the greatest filmmakers alive.”  You can also check out a recent article by film critic Manohla Dargis about their work in The New York Times.  Despite the access today’s students — and, in fact, all of us with Internet — have to the swirling miasma of videos streaming about the netverse (YouTube or otherwise), the mediascapes of avant grade or poetic or experimental cinema seem as distant as ever to the average media viewer, it would appear to me.*

MicrobeTalking about maverick moviemakers, director Michel Gondry will be appearing at the festival next week for a free talk concerning his new film Microbe and Gasoline,  a coming-of-age movie about two French teenage boys.

restlessjarman

*That said, I did have to chuckle a bit at what seemed to me to be a very inventive homage to the avant-garde work of Derek Jarman in the recently released video of New Order’s song Restlessdirected by the filmmaking collective NYSU.

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