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Archive for the ‘Chapter 6’ Category

team03Among the nominees at the upcoming 2014 Academy Awards ceremony, Dirty Wars, directed by Rick Rowley and featuring journalist Jeremy Scahill, was co-written and co-edited by David Riker, who is the featured Close-Up interviewee of Chapter 5 of Moving Images.  The issues raised when investigating this movie and Mr. Riker’s work in it are highly compelling when examining the themes and objectives of Chapters 5 (Studio Production and Personal Expression) and 6 (Recording and Presenting Reality) of Moving Images.

dirty warsIn these chapters of Moving Images, questions about media formats and communicative methods are scrutinized, as well as a wide range of issues familiar to non-fiction filmmakers and writers, including authenticity, rhetorical and narrative structures, ethical considerations, and platforms.  Mr. Riker, whose work began in documentary but then shifted to fiction, is a seasoned screenwriter (including The Girl starring Abbie Cornish, Sleep Dealerand the award-winning La Ciudad), and he brought his dual perspectives of documentary photography and fiction screenwriting to his work with Scahill and Rowley, saying, “Dirty Wars was an interesting balance because while it is absolutely a documentary… to really tell the story the three of us were frequently looking to the tradition of fiction filmmaking as a way of structuring Jeremy’s research so that it conveys some of the tension and the drama that … was part of their experience.”  I highly recommend this interview with David Riker from the blog Truth Scout.      

On the Academy Awards web site, you can check out clips and information on all the nominees – for Documentary Feature, the others are 20 Feet from Stardom, The Act of Killing, Cutie and the Boxer, and The Square.  

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white house festivalTo start off the New Year, here’s a challenging national competition: make a movie about the use of technology in the classroom and enter it into the White House Student Film Festival.  The assignment could go well with either Chapter 5 (about movie forms, genres, and communicative methods) or Chapter 6 (Recording and Presenting Reality) of  Moving Images: students need to craft short pieces (up to three minutes) that highlight the power of technology in the classroom (well, at least the positive impacts!).  Send it along to 1600 Pennsylvania Avenue by January 29 and then see what the Obamas think (well, their advisors at least).  I am certainly interested in viewing the results, because assigning abstract topics like this to students is particularly challenging, and it will be fun to discover the most inspiring — and hopefully thought-provoking — award winners.

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att_icw_lgt_rgb_grd_posThrough It Can Wait and other initiatives, AT&T has dedicated a great deal of effort in public awareness campaigns about the dangers of texting and driving.  Recently, they released From One Second to the Nexta half-hour documentary by Werner Herzog that will be used as a public service announcement throughout schools in the United States.  “What AT&T proposed immediately clicked and connected inside of me,” Herzog has said. “There’s a completely new culture out there. I’m not a participant of texting and driving—or texting at all—but I see there’s something going on in civilization which is coming with great vehemence at us.”

itcanwait-documentaryWerner Herzog has created some of the most challenging and engrossing movies of the past half-century and his career is one of the strongest examples of a director whose work crosses many boundaries between fiction and documentary and across genres, like other directors featured in Chapters 5 and 6 of Moving Images, such as Agnès Varda, Michael Apted, and Bertrand Tavernier.   Among Herzog’s most celebrated non-fiction films are Cave of Forgotten Dreams, Grizzly Manand Little Dieter Needs to Fly, while his fiction features include Aguirre, The Wrath of God and Nosferatu, The Vampyre.  In addition, his production of Fitzcarraldo is the subject of the highly acclaimed documentary Burden of Dreams by filmmaker Les Blank and is available on a deluxe Criterion edition.

From One Second to the Next is a powerful public service announcement and a striking piece of filmmaking, and it can provide good examples of cross-curricular work in the classroom, particularly as students work on issues related to safety and decision making, constant technology use, and communications.  It can also serve as a strong reference point as students work on their own documentaries or PSAs; here is a page that gives information on the type of team needed to put together a project like this.  And here is an excellent NPR Morning Edition interview with Herzog about this project.

For schools, there is a shorter 12-minute version of the PSA available.  (The full length version is 35 minutes.)

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captain pTruth in Fiction, Part 1: It was just announced that the New York Film Festival will open this year with Paul Greengrass‘s movie Captain Phillips.  With current trends leading us to have “Inspired by Something that Really Happened Somewhere Sometime in the Course of History” at the bottom of every movie poster, this movie starring Tom Hanks is another in the mode of last year’s award winning Argo.  Issues of the gray areas between non-fiction and fiction motion picture media are discussed at length in Chapter 6 of Moving Images (including images from the movie Seabiscuit as a motivator for classroom debate, among others), and contemporary filmmakers continue to push boundaries from both sides of the ledger.

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Director Sarah Polley Preparing a Shot

Director Sarah Polley Preparing a Shot

A movie from this spring that offers abundant possibilities for learning is Sarah Polley’s Stories We Tell (PG-13), and in this video from the New York Times, she and her family discuss its genesis and driving questions.  This film is an excellent companion to the portraits paired with the themes of Chapter 5 and 6 of Moving Images, particularly This Unfamiliar Place and Looking Back.  Sarah Polley has directed a number of other movies, including the award winning Away from Herand she is a well known actress who has been featured in many films including one of my personal favorites, The Adventures of Baron Munchausen (directed by Terry Gilliam).    

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