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Posts Tagged ‘Tribeca Film Festival’

Abbie Cornish in David Riker’s “The Girl”

An earlier post in this blog featured the full interview with David Riker, our featured Close-Up Interview from Chapter 5 of Moving Images.  

Here is an excellent article from the Tribeca website that discusses the Q&A with Riker and producer Tania Zarak after the last festival screening of The Girl, starring Abbie Cornish.

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Booker’s Place: A Mississippi Story by Raymond De Felitta

The documentary Booker’s Place: A Mississippi Story opened recently at the Tribeca Film Festival to very strong reviews.  This movie directed by Raymond De Felitta concerns another movie made during the 1960’s by the director’s father, Frank De Felitta.  The elder De Felitta traveled to Mississippi in 1966 to make Mississippi: A Self Portrait for NBC about the ongoing story of the Civil Rights Movement.  On his travels for this piece, he crossed paths with Booker Wright, a man whose life was changed irrevocably by his televised appearance in which he talks about his feelings as a victim of discrimination and racism in the Deep South.

For a critical perspective on the movie, this review of Booker’s Place: A Mississippi Story is representative of criticism that has appeared on the movie, and it is quite thorough and eloquent.  Also, Democracy Now broadcast a feature story on the content of the movie, and it highlights the moving dialogue between Raymond De Felitta and Yvette Johnson, the granddaughter of Booker Wright, who met because of De Felitta’s initiation of this project.  Finally, here is a story from the New York Times that discusses the family tales that intersected in the narrative of this movie.

This documentary can serve as an excellent source of study for themes in Chapter 6 of Moving Images, and it is extremely well suited to cross-curricular lessons with social studies courses.  The layers of story and the impact of media on history, society, and individual lives are rich with possibilities of investigation for educators and learners.  This includes issues of responsibility and the effects of media on the lives of subjects of non-fiction movies as well as those who make them, as discussed in the cases of Barbara Kopple’s Harlan County, USA and Errol Morris’s The Thin Blue Line.  

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