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Posts Tagged ‘The Frame’

Leaping at you!

Leaping at you!

This weekend, free comic book day is arriving and we are about to be hit with the Age of Ultron juggernaut.  Meanwhile, for some time now, superhero tales have been popping inventively through the channels of television as well, including the current franchises of DC’s The Arrow and The Flash, among others.  Recently, Marvel’s Daredevil has joined the fray courtesy of Netflix, ready for being devoured in hours of bingeing.  (One student in a class discussion about sports asked if among winter sports in which he takes part one could consider binge-watching because it’s a sort of competition and includes a variety of skills in order to master its intricacies and emerge a victor from among friends.)  The Daredevil TV series, created by Drew Goddard, has garnered quite a strong fan reaction for its clever retelling of the comic’s 1960’s origin story and successive development by writer Stan Lee and artists including Bill Everett and influential maverick creator Wally Wood.

Karen Page, Matt Murdock, Foggy Nelson: you make it with your Characters

Karen Page, Matt Murdock, Foggy Nelson: you make it with your characters

For those interested in an interesting screenwriting lesson, this recent podcast on The Frame with show runner Steven DeKnight features many compelling discussion points and revealing commentary about scripting television series, including story structure and character development — and how they are dependent on episode length, platform, and target audiences.  DeKnight also discusses details about the content of the show and how tone and violence were key issues for the show’s creators to consider.

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For any teacher of moviemaking, one of the most vital concerns should always be safety.  I know that it always has been for me — and for anyone working with adolescents it must take on the utmost importance.  In class guidelines, the significance of clear rules and principles for safety must be firmly articulated in any agreement to which students and parents must sign.  When developing the textbook Moving Images, I knew that I would need to discuss safety in my notes to instructors and in project guidelines, and I pointed out to the publisher that there must be a clear statement about safety in the front matter of the book.

sarah_jones_train_tracks_insetIn recent months, the importance of safety for all media creators has been at the forefront of discussions of industry standards and production practices and the legal implications of our work as moviemakers in the tragic death of assistant cameraperson Sarah Jones.  Director Randall Miller was sentenced to a two-year prison term for involuntary manslaughter for the death of Ms. Jones during a night shoot on the feature film Midnight Rider.  As reporter Richard Verrier explains, “The crew was filming a scene – a dream sequence for a movie about the life of Greg Allman of The Allman Brothers. And actor William Hurt was lying on a bed that had been placed on a railway track … the crew had been assured that no trains would be coming down the track, that they had permission to film there from the landowner. And what happened was a CSX freight train came barreling down the tracks and hit the bed and shards from the bed struck and killed the camera assistant Sarah Jones… and injured several other workers.”  This piece for the podcast The Frame provides further information and discussion of this tragic incident and its current implications for the industry.  However, it should be pointed out that these are not new concerns: Among the most famous cases of loss of life during film production are the deaths of Vic Morrow and two child actors during the making of John Landis’s segment of Twilight Zone,  the death of actor Brandon Lee on The Crow, and the death of a stunt crew member for the creation of chase sequences in Christopher Nolan’s The Dark Knight.  

hill-street-blues_wide-8f94a0b0d3d404e8d705d04b59a99434e38dba7b-s800-c85Related to all of this, I am reminded of the classic recurring line from Sgt. Esterhaus of Hill Street Blues: “Let’s be careful out there.”  For ourselves, as well as for those with whom we are working and for whom we are responsible.

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