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Posts Tagged ‘Suicide Squad’

About a year and a half ago, I posted an end-of-the-summer piece titled A “stink bucket of disappointment” or just some criminally wacky fun? about the movie Suicide Squad, written and directed by David Ayer (whose latest is Bright) and edited by John Gilroy.  For a very interesting critical investigation of editing related to Suicide Squad, I highly recommend this video: The Art of Editing and Suicide Squad It is from the YouTube channel Folding Ideas (by Dan Olson), and you can start at 01’20” into the video where he starts getting into the analysis of the movie’s editing.  

In fact, the piece is as much about cohesive storytelling as it is about the craft of editing.  There are many excellent breakdowns of issues to consider in the process of editing, as discussed throughout Moving Images, particularly in Chapters 1 and 2.  And Olson even references the Kuleshov Effect (at 17’30”) to help explain glaring weaknesses to the opening of Suicide Squad.  It is a revealing example of analyzing the effect of composition choices with editing.  It is worth pointing out that for a full analysis of issues with story and the filmmaking process with Suicide Squad, it would be critical to reference the shooting script by David Ayer.  Many answers to issues posed in the editing analysis could be revealed there.

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Squad Goals: ya better nail this one or else! Exec. Prod. and UPM of Suicide Squad on set.

Squad Goals : ya better nail this one or else !     Exec. Prod. & UPM of Suicide Squad on set.

Quick little follow-up to this week’s theme of summer blockbusters: what will be the latest flavors and trends to super-hero movies when Suicide Squad splashes (or maybe splatters) onto screens this week?  Batman v. Superman may have hauled in some cash, but it was quite roundly vilified by critics – check out this selection of quotes from reviews by major critics (and reviewing director Zack Snyder’s Watchmen, A.O. Scott commented “brutality is not merely part of Mr. Snyder’s repertory of effects; it is more like a cause, a principle, an ideology” — a cause to which the director applies himself in movie after movie, apparently).  It will be interesting to see how the reception of Suicide Squad plays itself out and impacts the ever-expanding D.C.-verse in moviedom, with Marvel watching from across the street (and next summer’s Guardians of the Galaxy waiting in the wings).

P.S.: A week later, the reviews are in.  Not a big surprise, but still… it is rather funny.  Joe Morgenstern’s review for The Wall Street Journal is worth quoting: “In a word, Suicide Squad is trash. In two words, it’s ugly trash. Maybe no more words should be wasted on a movie that is, after all, only a movie, not a natural disaster or a terrorist attack. Still, movies contribute to the collective awareness. They can color the way we feel about the life around us. This one deserves further attention by virtue of its exceptional cynicism and startling ineptitude. Suicide Squad amounts to an all-out attack on the whole idea of entertainment.” Or the title to Michael O’Sullivan’s for The Washington Post: ‘Suicide Squad’ is as bad as you’ve heard.

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