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Posts Tagged ‘Stromae’

In earlier posts, we have discussed documentaries about film and TV scoring; contemporary composers such as Jeff Beal, Cliff Martinez, and Bear McCreary; current uses of popular music with moving images such as in the work of the performer Stromae; and a wide variety of topics related to sound design.

Composer Ramin Djawadi conducting

Along with editing exercises that one can complete to develop an idea of the impact of music with scenes, here is an related video (by the YouTube channel Every Frame a Painting) that explores the use of music in a variety of Marvel superhero movies.  Many of the observations and questions raised here can be applied to a wide range of recent action movies, and the lessons about contemporary media creation have wide-ranging impacts on viewers and the messages being produced for viewers. And for students, they might want to explore the views of the actual composers of some of the movies referenced here, such as Ramin Djawadi (Iron Man, Westworld, Game of Thrones) or Alan Silvestri (Avengers, Captain America).  

 

And if you find this interesting, check out this response to the Marvel Symphonic Universe video essay by Dan Golding: A Theory of Film Music(And it is critical to add that this essay is ripe for a rebuttal by anyone interested in exploring the long history of originality in film scoring — Golding’s approach is undoubtedly to use only lowest common denominator examples from throughout film history.) 

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stromae tous les memesPerhaps your school year has already wound down or maybe you’re just about there.  Here’s a brief post to share an artist with whom you may already be familiar — and if not, I think you are in for a treat because I believe he is one of the most dynamic multi-media presences of the past few years: Stromae.  He is first and foremost a musical artist, but the place of visual expression in his output is key to his message and to his success, like many performers today.  I recommend these videos because of their extremely high degree of thematic force and visual impact.  There is a total command of motion picture language throughout the work he creates with his collaborators, from the animation of Carmen (by Triplettes de Belleville director Sylvain Chomet) to the art direction of Papaoutai to the cinéma vérité tour-de-force of Formidable (with a song that is profoundly reminiscent of Belgian icon Jacques Brel, who was also a multi-media giant) to Tous les Mêmeswhich brings most of thèse qualities together in its eye-popping, thought-provoking glory.  And like many artists today, Stromae needs to be pretty good at self-deprecation, which is quite apparent in his very funny (for those who understand French) video alongside French comic Jamel demonstrating the mock creation of his first mega-hit Alors on Danse.  And the original video to that one too — Alors on Danse — is stunningly original, particularly alongside standard music videos, rap or otherwise.

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