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Posts Tagged ‘Star Wars’

Devon Michael with Natalie PortmanA NYTimes OpDoc piece was published recently and it concerns a topic close to the hearts of generations of movie viewers, each with their own reference points related to the genesis and evolution of this storytelling universe: Star Wars. In this case, the issue being explored is the impact of media on a particular group of people sometimes involved in its creation and subsequent life in culture: child actors.

For the production of the opening movie of the second trilogy of stories created for the Star Wars movies (in this case the prequels to the original three, which would become episodes I-III), George Lucas needed to cast a central role: young Anakin Skywalker, who would become Darth Vader.

This short documentary recounts the experience not of Jake Lloyd, who was cast in this role, but of a young man who was almost cast in this role: Devon Michael. In this piece directed by Ben Proudfoot, titled Almost Famous: The Unchosen One, viewers explore the journey of this young child actor and the impact of losing out on this once-in-a-lifetime casting opportunity. It is a very powerful story. (As well as quite an insight on George Lucas as a director, when one considers the audition performance and acting qualities displayed by Devon Michael, who was not selected for the role.) Extremely compelling viewing for media students, especially those who are into the Star Wars galaxy of storytelling, from those who grew up in the 70’s or very young viewers whose first experiences are in the episodic series The Mandalorian or The Book of Boba Fett.

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In earlier posts, mediateacher.net has featured posts that highlight lessons that can be learned from study of movies from the Star Wars franchise, particularly with Rogue One and innovative work in sound design.  Along with the superbly detailed book The Making of Star Wars: The Definitive Story Behind the Original Film by J.W. Rinzler, there is this YouTube video that explores how George Lucas arrived at his final cut of Star Wars through the work of his editors Paul Hirsch, Richard Chew, and Marcia Lucas) and which can be very eye-opening to students about the development of story and the power of the editing process (and all of the stages of movie production) in arriving at the definitive version of a film.

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I am guessing that THIS will be the Seven Samurai reference (okay, it's six, but go with it) that will be remembered from this year.

I am guessing that THIS will be the Seven Samurai reference (okay, it’s six, but go with it) that will be remembered from this year.

The new trailer for Star Wars: Rogue One debuted during the Olympics coverage yesterday, and it looked pretty amazing.  (And it was even more enticing than the initial teaser, which already had fans energized.)  Just one point that I feel needs to be made for teachers gearing up for a new year of media literacy: Kurosawa.

The foremost acknowledged influence on Star Wars is Akira Kurosawa’s Hidden FortressAny student of moving images or educators who wish to explore the vital contemporary Star Wars universe is well advised to explore the singular power of director Akira Kurosawa and his influence on George Lucas.  For me, there appears to be some major inspiration from the universe of the Japanese cinematic master in the trailer for Rogue One (directed by Gareth Edwards), except in this case the references are to The Seven Samurai.  Whatever the inspirations, things appear to be looking good for the realm of Jedi, Force, and Dark Side.

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Can you already hear it?

Can you already hear it?

In earlier posts, we have immersed ourselves in the work of creating soundscapes for movies, from Sinking into Sound with sound designers to the work of foley artists and voice specialists.  Here are some more great videos from filmmakeriq.com to review these fields: Foley and Sound Effects, ADR and dubbing, or a number of links here for sound design.  And in less than three weeks, we will be hearing what the new (and old) pings, buzzes, crunches, and whooshes and all else of the Star Wars universe sound like in The Force Awakens, directed by J.J. Abrams — with veteran sound masters Gary Rydstrom, Matt Wood, and the legendary Ben Burtt returning to this key franchise in movie sound history.

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