Posts Tagged ‘Jeff Beal’

The vital roles of music and sound design in moviemaking are key components of Moving Images and have been featured in numerous posts on mediateacher.net, including pieces about composers Jeff Beal, Cliff Martinez, and Henry Mancini, among others.  Score, a documentary about composing for film by director Matt Schrader, opened this month and should serve as a solid resource to media literacy educators.  Score provides film history, profiles of and interviews with film composers (from Quincy Jones to Rachel Portman to Trent Reznor and many more), and exploration of the process of composing for motion pictures.

Composer Bear McCreary with his Hurdy-Gurdy

Here is an interview with composer Bear McCreary (Outlander, Battlestar Galactica, The Walking Dead, 10 Cloverfield Lane) and Matt Schrader in which they note film scores that they believe to have “changed the way we hear movies.”  What would be your picks?  Check out the article and you will see theirs!

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Jeff Beal conducting string ensemble for House of Cards

Jeff Beal conducting House of Cards string ensemble

In earlier posts, mediateacher.net has shared profiles of such classic composers as Henry Mancini and contemporary masters like Cliff Martinez.  One of the most interesting current examples of an extremely successful and acclaimed musician and composer making the transition to scoring music for television and film is Emmy Award winner Jeff Beal.  At the outset of his career, he began forging an identity as one of the most talented young trumpeters in contemporary jazz who could also compose in a wide range of idioms for projects ranging from solo piano to orchestral suites.

Like many musical artists with his range of talents and interests, Beal began composing for motion pictures, and as part of a trend with some of the most acclaimed composers of the past decade or so, his primary source of exposure has been through composing for television.  In series such as Monk, Carnivàle, Ugly Betty, Rome, and The Newsroom, and movies like Blackfish and Appaloosa, he has established himself as one of the most expressive and compelling creators of music for motion pictures.  Most recently, his work on Netflix’s House of Cards has brought him even further into the spotlight.  This recent article on Jeff Beal (and family members) at work on the musical accompaniment to the most recent season of House of Cards is highly informative both for its artistic insights as well as for practical details on the work of contemporary composers, such as how contracting works.

Jeff Beal StudioI also highly recommend Jeff Beal’s recently redesigned personal web site, which includes his own selections of movie sequences that highlight the importance of his work on the outcome of dramatic scenes.  It is no surprise that there are two examples from his lauded score for Ed Harris’s feature Pollock about painter Jackson Pollock.  These clips can be very useful in media literacy, music technology, and video production courses.

Finally, for those with further interest in the work of Jeff Beal as a composer, I highly recommend his albums Alternate Route and Red Shift which both feature large ensembles as well as the more intimate Contemplations.  

2017 Update: Here is an excellent news report featuring an interview with Jeff Beal as he discusses the powerfully autobiographical elements of his recent piece “The Salvage Men” and his work for film and television.

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