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Posts Tagged ‘Film Restoration’

Rio Bravo TCM restoration

Rio Bravo, a 2023 Warner Bros restoration partnered by TCM

With very intense developments on the business side of the media production world through the strikes by, first, the Writers’ Guild, and then the Screen Actors Guild, here is another story that has garnered attention to those interested in the legacy, history, and cultural value of motion pictures: the precarious situation of Turner Classic Movies.  In recent months, there have been significant layoffs at TCM and signs that the channel may be in jeopardy.   This editorial from Maureen Dowd in June highlights the importance and mission of TCM, while this recent update from Entertainment Weekly addresses the question: What’s going on at TCM?

In the article, they describe how some are fighting to protect the network, and it features a quote that ties in closely with a great deal of work in the field of media literacy: “TCM has taken an approach to classic movies in a way that we try to make them relevant to a new audience.  We’re trying to present the films in a way that treats the audience as smart and intelligent. We take very sober and reverential responsibility for these films, no matter what they are. We know that by showing these films, somewhere on a television set, somebody is watching them. That’s what TCM is doing in the long run — we are helping to maintain the cultural memory of the greatest art form of the 20th century.”

Stay tuned, and in the meantime, keep teaching and learning, be informed, and continue making new discoveries across the world of moving images.

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Empty Reels

Discovering Lost Reels (photo Carl Casinghino)

An important theme in the study of motion pictures, from the long gestation that led to the first projected movies to today’s dazzling array of effects and sensory enveloping platforms, is the preservation and restoration of lost classics of the cinema.  In earlier posts, such as Treasure Troves from a few months ago, new discoveries by film preservationists and scholars were highlighted in these pages.  Now it appears that, in addition to Too Much Johnson, another of Orson Welles’s lost or unreleased works may see the light of day: The Other Side of the Wind.  The complex tale of its fate is discussed in a new article in the New York Timesinvolving family members of the shah of Iran, 1083 hidden reels of film in storage, an artist drawing on decades of life for inspiration, a director stealing movie prints and escaping in an unmarked van, and much more.  Producer Frank Marshall (a cofounder of Amblin Entertainment with Steven Spielberg) and director Peter Bogdanovich (The Last Picture Show, Paper Moon, What’s Up Doc and a great supporting role on The Sopranos) are working on completing the unfinished edit of the movie.  Among the movies highlighted for study with Moving Images are Touch of Evil and Citizen Kane; whether The Other Side of the Wind will be or not, in whole or part, remains to be seen, while the full cut of The Magnificent Ambersons can remain the lost treasure that will always be lost…

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