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Archive for the ‘Media Literacy’ Category

Photo of Adam and Leonard Nimoy courtesy of Nimoy Archives/CBS

Photo of Adam and Leonard Nimoy courtesy  Nimoy Archives/CBS

In this time of  great tension, conflict, and debate related to issues of ethnicity, cultural understanding or lack thereof, and feelings of belonging to larger cultures among minority groups, a documentary released this month provides an interesting example of how these issues have been addressed in clever and innovative ways in American TV and movie history.  Among the many groundbreaking moments and characters from the Star Trek universe, from the kiss of Kirk and Uhura to the positive characters of Sulu and Chekov at times of intense conflict in Asia and across the Iron Curtain, it is clear that some of the most powerful explorations of diversity and of those whom many see as “different” or “outsiders” is embodied in the half-human, half-Vulcan Mr. Spock.  For the Love of Spocka documentary by his Leonard Nimoy’s son, Adam, has been released this month, and it explores the powerful impact of Nimoy on those with whom he worked as well as the role of Spock as an “Outsider” at a time when that was rarely, if ever, seen in popular media platforms, particularly television.  Here is an interview with Adam Nimoy about his work creating this documentary, along with this new article by Robert Ito: Spock: Half-Vulcan, Half-Human, All Outsider Role Model.   And on these pages, there was an earlier post, To Live Long and Prosper, which celebrated the legacy of actor and multi-media creator Leonard Nimoy.

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clinton-trumpThe debate today between the Democrat and Republican candidates for President of the United States, Hillary Clinton and Donald Trump, is predicted to be the most watched contest in the history of televised debates since the game-changing moment between John Kennedy and Richard Nixon on September 26, 1960.  Yes, it was 56 years ago to the day.  And in 2016, as summed up in the New York Times, “Hillary Clinton and Donald J. Trump are spoiling for an extraordinary clash over race and gender that could come as early as Monday’s debate, with both presidential candidates increasingly staking their fortunes on the cultural issues that are convulsing the nation.”

As a tool for educators, here is a comprehensive article authored by Frank Baker and Karen Zill that can be very useful for navigating the issues of watching and analyzing the debates: “Media Literacy: How to Watch the Debates.”  It also features downloadable debate analysis worksheets (here is one of them).

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KhizrkhanIn this Presidential election season (or perhaps we should start calling it “epoch” with the current length of campaigns in the U.S.), it is no surprise to return regularly to political topics through our posts following the recent “Ands” and thes” and things like that and the earlier Politics, Satire, and Media as well as Politics & Media 2.  Meanwhile, the recent flurry of media-fueled moments in the current Presidential campaign has generated moments of visual communication that appear to have all the earmarks of major historical images in the making.  The appearance of the parents of Capt. Humayun Khan, killed in Iraq in 2004, at the Democratic National Convention has set off some of the most powerful political aftershocks seen in contemporary American politics.  There are many indications that the image of Mr. Khizr Khan pulling out a pocket-sized version of the American constitution from his jacket to punctuate a major point in his speech, with his wife Ghazala Khan standing stoically by his side, will stand as a striking image of our times.

UnknownAstonishingly, the Khans had already appeared in an acclaimed documentary from 2008 that featured families of slain American veterans: Section 60: Arlington National Cemetery.  In this piece appearing today on Democracy Now!, an excerpt from the film is shown which depicts the couple visiting their son’s grave and both Khizr and Ghazala Khan discussing the impact of his death and their visits to the cemetery on their lives.  There is also an interview with a co-director of the film, Jon Alpert.     

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lateshowmtFor teachable moments, the Melania Trump speech will be known as quite a doozy.  And this week the work of Stephen Colbert for the Late Show has provided a laundry list of striking television images that have been second to none: from musical numbers to Hunger Games characters to James Bond silhouettes posing as the Trump RNC entrance to a riff on the infamous Melania speech, it has already been a treasure trove for media literacy.  Regarding the issue of plagiarism that was raised by the speech in question, a website well known to many teachers for dealing with student cheating, TurnItIn, has offered their own brilliant and thorough take on this specific case: Understanding Plagiarism to Avoid Controversy.  (To cite my source: the title of this post is a quote from Paul Manafort, Mr. Trump’s campaign chairman.)

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blacksad 1A new visual media creation arrives that conjures up a vibrant, compellingly real and nuanced world made up of animals who mirror human society and whose crime stories delve into complex themes related to tolerance, racism, stereotypes, and honesty, among others, and then bursts onto its medium’s scene to great acclaim and success.  Zootopiaright?  If that’s what you answered, you might want to check out Blacksad (first published in 2003).  

zootopiaBlacksad, by writer Juan Díaz Canales and illustrator Juanjo Guarnido, is a series of adult-themed graphic novels (as opposed to the family-oriented Zootopia, a Disney production directed by Byron Howard and Rich Moore and written by Jared Bush and Phil Johnston) set in a world that resembles 1950’s America and featuring a film noir-style private detective named John Blacksad, a black cat.  Naturally, the concept of anthropomorphic animals serving as models for human behavior and whose interactions provide illustrations of human values and social relations is not a new one (start with La Fontaine’s Fables), but the particular conceptualization of Zootopia is strikingly reminiscent of Blacksad.  

nick-wilde-judy-hoppsThis is not to take anything away from Zootopia, which is a resounding triumph and certainly deserving of its accolades.  The comparison of these two creations in the related visual media of graphic novels and films provides interesting points of discussion between media platforms, tone and style in visual expression and storytelling, and treatment of thematic material through related settings or concepts.

Naughty Bunny038And with Zootopia, it must be added those are definitely some Richard Scarry-inspired rabbits, which I loved.  Busytownindeed!

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