Feeds:
Posts
Comments

Archive for the ‘Chapter 6’ Category

KhizrkhanIn this Presidential election season (or perhaps we should start calling it “epoch” with the current length of campaigns in the U.S.), it is no surprise to return regularly to political topics through our posts following the recent “Ands” and thes” and things like that and the earlier Politics, Satire, and Media as well as Politics & Media 2.  Meanwhile, the recent flurry of media-fueled moments in the current Presidential campaign has generated moments of visual communication that appear to have all the earmarks of major historical images in the making.  The appearance of the parents of Capt. Humayun Khan, killed in Iraq in 2004, at the Democratic National Convention has set off some of the most powerful political aftershocks seen in contemporary American politics.  There are many indications that the image of Mr. Khizr Khan pulling out a pocket-sized version of the American constitution from his jacket to punctuate a major point in his speech, with his wife Ghazala Khan standing stoically by his side, will stand as a striking image of our times.

UnknownAstonishingly, the Khans had already appeared in an acclaimed documentary from 2008 that featured families of slain American veterans: Section 60: Arlington National Cemetery.  In this piece appearing today on Democracy Now!, an excerpt from the film is shown which depicts the couple visiting their son’s grave and both Khizr and Ghazala Khan discussing the impact of his death and their visits to the cemetery on their lives.  There is also an interview with a co-director of the film, Jon Alpert.     

Read Full Post »

lateshowmtFor teachable moments, the Melania Trump speech will be known as quite a doozy.  And this week the work of Stephen Colbert for the Late Show has provided a laundry list of striking television images that have been second to none: from musical numbers to Hunger Games characters to James Bond silhouettes posing as the Trump RNC entrance to a riff on the infamous Melania speech, it has already been a treasure trove for media literacy.  Regarding the issue of plagiarism that was raised by the speech in question, a website well known to many teachers for dealing with student cheating, TurnItIn, has offered their own brilliant and thorough take on this specific case: Understanding Plagiarism to Avoid Controversy.  (To cite my source: the title of this post is a quote from Paul Manafort, Mr. Trump’s campaign chairman.)

Read Full Post »

Robert Redford in The Candidate

Robert Redford in The Candidate

Even if you’re competently media literate, it might be hard not to feel pretty burned out from the non-stop buzz of images and sounds from all the electioneering.  Maybe it might be the perfect moment to get inspired by some classic movies.  There are documentaries like PrimaryThe War Roomand Our Brand is Crisis.  Or there are the classic feature films The Candidate and Bulworth.  And from television among the best are The West Wing and House of Cards.  

Or maybe you just need to turn it all off.  But it’s not going away yet.

Read Full Post »

MurdererDocumentary filmmaking has long been at the forefront of the digital media revolution.

Making a Murderer, directed by Moira Demos and Laura Ricciardi is and will be a powerful case study for many phenomena of our interconnected, media-immersed world.

Choose the course: Media Literacy and Digital Video Production; Criminal Justice; Sociology; Psychology; or many other fields of study or secondary school departments — this series can be used for ripe investigation in all of them.

Here are a bunch of interesting questions ready for inquiry.

Read Full Post »

varda_art3In earlier posts, a variety of exemplary female filmmakers have been discussed, from early pioneer Alice Guy Blaché to cinematographer Ellen Kuras to screenwriter Pamela Gray to casting director Marion Dougherty and many more.  This year has seen more inspiring landmarks and creations in the exceptional life and career of Agnès Varda, one of the featured directors of Chapters 5 and 6 of Moving Images (and who showed notable generosity towards our project).  From the Moving Images text, “director Agnès Varda has maintained a long career in which she has led her own production company and has made films that have established her highly personal integration of community life and a spontaneous method and style in her movies.  Varda has created some of the most innovative and free-spirited short and feature films of her time shooting with an impressively wide range of approaches: feature productions in 35mm; documentaries in 16mm or other platforms; commercials and public service announcements; journal type projects in videotape and digital video, among others.”

3boutonsAt the Cannes Festival this past May, Varda received a lifetime achievement award — only the fourth given in the history of the festival — and more recently, she premiered a lively short film starring teenager Jasmine Thiré — Les 3 Boutons — that provides a neat introduction to her original approaches to moviemaking and storytelling.  From casting to locations to editing to narrative digressions, it is pure Varda and a treat. She is a master of cinematic language through both image and sound.  The Criterion Collection has also released a new box set of some of her less known work, and it includes such important and innovative shorts as Uncle Yanco and Black Panthers.  

Read Full Post »

« Newer Posts - Older Posts »