The necessity for media literate citizens and creators continues to evolve at an astounding pace. Most recently, the intensely developing story of the accusations against iconic comedian Bill Cosby has played out through a highly complex web of media platforms: scant coverage of allegations dating from about a decade ago; recent live performances from the comedian Hannibal Buress that were then uploaded to streaming video platforms; snowballing revelations through social media by victims of Cosby’s alleged abuse; and a major multimedia report in New York magazine that utilizes Internet interactivity to explore accusations against the performer by many women whose corroborative evidence has shocked people from across the globe. The resources stemming from the New York article and more sources will serve as invaluable materials for social studies coursework, media literacy analysis, and a wide variety of evaluation of American values related to the legal system, sociology, women’s rights, and psychology in the months and years to come. Finally, as direct primary resources that utilize digital media to express ideas, the streaming video testimonials set up to accompany the article by Noreen Malone and Amanda Demme are examples of profound uses of direct interviews to enhance stories already told through print and images.
Archive for 2015
Teaching Center!
Posted in Chapter 5, Chapter 6, Media Literacy, tagged Key, Key & Peele, Peele, Sports Center Parody, Teaching Center on July 30, 2015| Leave a Comment »
(And, yes, if you want a lesson in nailing every nuance, gesture, cut, transition, and graphic in a parody — look no further. Key & Peele continue to hone their genius at short-form filmmaking with their provocative mix of social commentary and media savvy.)
Learning to Work through Media Literacy
Posted in Chapter 8, Media Literacy, tagged Adam Davidson, Film Careers, Planet Money, The Production Process on June 27, 2015| Leave a Comment »
Chapter 8 of Moving Images — The Production Process — presents ways in which people need to work together effectively to make movies. In fact, students learn this throughout the book, by investigating media, studying film- making processes, writing for different contexts and platforms, and creating movies of all kinds. Of course, this process is also a business, which is discussed at various junctures in the book and has been addressed in earlier blog posts here.
A recent article by Adam Davidson (a host of NPR’s Planet Money) for the New York Times highlights the tremendous value of examining the intricate processes of moviemaking, which reveals ways in which The Production Process can help us to figure out how a successful workplace functions. In particular, Davidson highlights how lessons from the world of moviemaking can be instructive in enhancing new trends in the contemporary workplace. I highly recommend “What Hollywood Can Teach Us About the Future of Work.”




